“No mind, no greed, no suffering No thought, no hurt, no hands to reach...”
Thats how Michael Gira describes what it would be like to take a screenshot of our life, to be able to suspend ourselves in time for a moment, to blur the continuity of the world in order to live free of drives.
The platforms built in the same way as TikTok offer a nightmarish version of this “screen capture” idea, giving us the hability to be suspended in time in a continuous present staring at a screen in watching an infinite stream of content.

This continuous present builds itself in the form of a conversation between us, the users, and the algorithm: a conversation in which, through our most basic cognitions, the algorithm mechanizes our desires to make portraits of its users in the form of interests for advertisements.

The user-algorithm conversation is constructed so simply that, through mediation devices, we could have non-human biotic entities play the role of the user in it. This is the exercise of symmetry that this piece intends to do, to establish a system that mediates between a plant and the algorithm.